Saturday, August 1, 2009

Books, Book Reviews: ‘Empire of Illusion’...Immigration, Islam, and the West by Christopher Caldwell,

Books of The Times
A Turning Tide in Europe as Islam Gains Ground

in Christopher Caldwell’s ‘Reflections on the Revolution in Europe’ - Review - NYTimes.com, August 2, 2009

By DWIGHT GARNER
Published: July 29, 2009
Christopher Caldwell’s “Reflections on the Revolution in Europe: Immigration, Islam, and the West” is a hot book presented under a cool, scholarly title. To observe that Mr. Caldwell’s rhetoric is “hot” is not to say that it is aggrieved or unruly. On the contrary, Mr. Caldwell, a senior editor at The Weekly Standard and a columnist for The Financial Times, compiles his arguments patiently, twig by twig, and mostly with lucidity and intellectual grace and even wit.

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REFLECTIONS ON THE REVOLUTION IN EUROPE

Immigration, Islam, and the West

By Christopher Caldwell

422 pages. Doubleday. $30.

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But they are arguments one is not used to hearing put so baldly, at least from the West’s leading political journalists. Primary among them are these: Through decades of mass immigration to Europe’s hospitable cities and because of a strong disinclination to assimilate, Muslims are changing the face of Europe, perhaps decisively. These Muslim immigrants are not so much enhancing European culture as they are supplanting it. The products of an adversarial culture, these immigrants and their religion, Islam, are “patiently conquering Europe’s cities, street by street.”

Read more: http://www.nytimes.com/2009/07/30/books/30garner.html?_r=1&emc=eta1

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Book Excerpt: ‘Empire of Illusion’Posted on Jul 30, 2009, from Truthdig - Arts and Culture

Read this brilliant and humorous chapter from Chris Hedges’ new book and marvel as the Pulitzer Prize-winning war correspondent makes sense of reality television.

Adapted from “Empire of Illusion: The End of Literacy and the Triumph of Spectacle,” available from Nation Books, a member of the Perseus Books Group. Copyright © 2009.

Celebrity worship banishes reality. And this adulation is pervasive. It is dressed up in the language of the Christian Right, which builds around its leaders, people like Pat Robertson or Joel Olsteen, the aura of stardom, fame and celebrity power. These Christian celebrities travel in private jets and limousines. They are surrounded by retinues of bodyguards, have television programs where they cultivate the same false intimacy with the audience, and, like all successful celebrities, amass personal fortunes. The frenzy around political messiahs, or the devotion of millions of women to Oprah Winfrey, is all part of the yearning to see ourselves in those we worship. We seek to be like them. We seek to make them like us. If Jesus and The Purpose Driven Life won’t make us a celebrity, then Tony Robbins or positive psychologists or reality television will. We are waiting for our cue to walk onstage and be admired and envied, to become known and celebrated.


“What does the contemporary self want?” asked critic William Deresiewicz:

The camera has created a culture of celebrity; the computer is creating a culture of connectivity. As the two technologies converge —broadband tipping the Web from text to image; social-networking sites spreading the mesh of interconnection ever wider—the two cultures betray a common impulse. Celebrity and connectivity are both ways of becoming known. This is what the contemporary self wants. It wants to be recognized, wants to be connected: It wants to be visible. If not to the millions, on Survivor or Oprah, then to the hundreds, on Twitter or Facebook. This is the quality that validates us, this is how we become real to ourselves—by being seen by others. The great contemporary terror is anonymity. If Lionel Trilling was right, if the property that grounded the self in Romanticism was sincerity, and in modernism was authenticity, then in postmodernism it is visibility.


Read more:

http://www.truthdig.com:80/arts_culture/item/20090730_book_excerpt_empire_of_illusion/

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